This week, Loughlin is taking his exhibit to the Democratic National Convention in Denver in hopes that presidential contender Barack Obama makes eye contact with an Iranian day laborer with a shy smile, an Iranian girl wistfully playing with her silk scarf, and an Iranian professor whose twinkling eyes complement his iridescently white beard. “I want all Americans to have a chance to come face-to-face with their Iranian counterparts, and I want to document Americans’ responses to the encounter,” says Loughlin whose steel-blue eyes glisten with purpose. Loughlin’s dynamic exhibit consists of an interactive 3-D still movie of photographs with sound and light that is displayed in a 26-foot-high octagonal dome, a dome which symbolizes openness and warmth in Persian culture.
For Loughlin, the exhibit should elicit a visceral response from Americans, including Barack Obama, and make them grapple with their preconceptions.
“Many Americans have strong feelings and intuitions about Iran,” Loughlin notes, “and many of their ideas have developed in an environment tainted by ignorance and suspicion . . . I hope that the show will ultimately transcend the issue of Iranian/American relations. It will illustrate how Americans exercise their freedoms and privileges – including the privilege to remain uninformed about other nations and cultures without suffering any significant consequences. We’re all made of the same flesh,” he continues, “and that somehow got lost. I want this show to make that point viscerally through the humanity of Iranian citizens and the beauty of the Persian culture. The show is a mirror.” The name of the exhibition, “Pictures of You,” comes from a poem by Rumi:
If my head holds one thought wise and clear, it’s you.
Poor as I am, what I hold dear is you.
No matter how I see myself, I’m nothing.
Anything I am entirely is you.
- (Rumi’s Kolliyaat-e Shams-e Tabrizi)
Loughlin hopes that Americans will confront their fear of “the other” and the photos of ordinary Iranians will encourage them to look more openly at other nations and cultures. And, ultimately, Loughlin hopes his exhibit will dissuade warmongering by American policymakers.
Although Democratic presidential nominee Barack Obama is far less of a saber-rattler than John McCain, Obama has suggested that the United States one day might have to launch surgical missile strikes into Iran and Pakistan to keep extremists from getting control of nuclear bombs. The Bush Administration’s flawed reliance on violence has no place at the Democratic National Convention and Americans must demand to know how presidential candidates, especially ones who allegedly represent “hope” and “change,” will promote a better future for both Americans and Iranians. Loughlin is confident that recognizing the extraordinary commonality of the human experience is the first step in a new direction for a new America.
Loughlin’s work can be viewed at http://www.picturesofyouiran.com